“And what you just described? The way he makes you feel? Use it, to drive yourself. Use it for inspiration in your art. All true artists are outsiders.” Via: Soho Blues
There’s things I wanna say to you
But I’ll just let you live
Like if you hold me without hurting me
You’ll be the first who ever did.
Via: Culture And Collection
And this is what she’s settled on: she can go without food (she will not wither). She can go without heat (the cold will not kill her). But a life without art, without wonder, without beautiful things- she would go mad. She has gone mad.
What she needs are stories.
Stories are a way to preserve one’s self. To be remembered. And to forget.
Stories come in so many forms: in charcoal, and in song, in paintings, poems, films. And books.
Books, she has found, are a way to live a thousand lives- or to find strength in a very long one
Artist: Silvana Cimieri
Please and thank you.
Make it dirty, or GTFO.
Via: Andrew Praksin
However I actually want you to watch after reading this to see if I’m bugging out, because no one seems to be mentioning the things I’m searching for. A cinema nerd, an art fanatic in general, I often research articles after finishing a book, or film. I spent the better part of an hour doing the same for Jean-Luc Godard’s masterpiece Masculin Féminin, brilliant, fortifying my belief that French New Wave is the best.
The premise of the movie being Paul, the protagonist, is about to turn 21. After serving time in the army he’s trying to figure out what he wants to do with the rest of his life. He meets Madeline, a budding chantress, falls in love, moves in with her, Elisabeth, and Catherine-Isabelle, colocs. Now while the latter is secretly in love with him, the former seems to be having an affair with Madeline. Therein lies the confusion for Madeline from what I saw. Except no one even references it. Am I nuts?
Elisabeth and Madeline’s romance is alluded to multiple times, explaining her hostility towards Paul and possessiveness of Madeline:
-When they are waiting on Madeline for lunch, Paul informs Elisabeth that the aforementioned party is pregnant. Elisabeth gets angry, telling Paul he doesn’t know Madeline like she does, that she’s lying to him. The viewer is left dubious, as Madeline starts the film admitting she lies to him. Paul gets angry and asks her, “What’s it to you?,” several times while banging on the table. Probably the only time you see him vexed. Elisabeth doesn’t answer.
In the same scene when Madeline does arrive, she empties the rest of the wine into Paul’s glass, but pours half of Elisabeth’s cup into her own to share. Intimate. Then when Paul is lost in his whistling of Bach, eyes closed, immersed in sonic memories, Elisabeth strokes Madeline sexually. After getting angry with Paul for touching Madeline’s chest to feel her heartbeat. Madeline herself telling her not to get jealous, he has a right.
Tracing her face with her finger tips twice, they stop when Paul opens his eyes. Dramatic irony. The viewer knows something a character doesn’t. Shakespeare’s forte.
– When they go to an erotic movie, Elisabeth makes sure to sit next to Madeline, who leaves a space for Paul on the other side. Seeing this Paul sits next to Catherine-Isabelle instead. Madeline makes Catherine-Isabelle switch with her, upsetting Elisabeth who was practically necking her before Madeline confesses her love for Paul, to Paul.
-Finally, in the last scene the audience finds out Paul dies, mysteriously falling from his new apartment window. Elisabeth and Madeline went to see it, because no one believed him. When Madeline wanted to move Elisabeth in with them he objected, then met his end.
The police question Madeline and Catherine-Isabelle, was it suicide, an accident, or murder? I figured Elisabeth was missing from the interrogation as she was a suspect, since they got into an argument about her moving in. Also she told Madeline to abort the child with a coat hanger. Yet still, absolutely no one mentions this relationship regarding the movie. Which is crazy. Leaving me to wonder why? It’s essential to plot, yet everyone talks about Catherine-Isabelle’s unrequited love for Paul. Did the allusions go over everyone’s head? Am I making it up, or am I just super nerdy and observant (I was a film minor, a focal point of my relationship with Serge Becker, read: Who Is Serge Becker? )?
You watch and tell me. I’ll probably write more on this film, it’s so damn good. There’s so much to discuss. Godard also wrote the amazing script. Urgh, a fucking legend. Three panoramic shots left me breathless (pun intended). I ceased to breathe, memorized, replaying them over and over again. Can you guess which three? Are you going to watch? Did you see what I saw too? Via: Serendipity.TD
What are you going to create today?
A country queen. Shania Twain’s all leopard ensemble in That Don’t Impress Me Much is a Halloween must. This look is iconic, from the matching layered choker, the round suitcase, the hooded cloak, the bralette, the pants. She’s fucking major. Make sure you rock long locks with bangs to top this look off. The lyrics of a feminist legend. You could also be Shania in Man! I Feel Like A Woman. Are you into it? Via: The Secret Diary Of A 90s Girl
Real talk, these reworked vintage ads speak to my soul. Lots of men seem confused, because we’re being nice, not sharing the scale on which we rate you. Please know how we feel before making requests. Which one resonates with you the most? Via: Memory Sticc
“It might have sounded peculiar, but it was in seemingly mundane moments like those- when she told a white man something so basic about herself that made his eyes boggle out of his head- that she felt closest to all the Black people who were Black long before she was: all of the enslaved Black men and women who impressed white people with their reading abilities; all of the Black men and women who became doctors and lawyers and other things people said they couldn’t. Garrett Morgan, Marian Anderson, Diahann Carroll. Barack Obama. Her parents. Anyone who had impressed a white person simply by existing. Which, given the number of times Black people had been lynched and raped and beaten down over the last four hundred years, should have been every black person.” Via: Michael Slusakowicz
Yes, there was a rap war this week featuring Cardi B and Nicki Minaj, along with City Girl’s JT. I barely kept up with it, but did quote Nicki Minaj, which wasn’t shade, or siding. I always quote Young Money, because they have the best lines for your enemies, haters and self-love. Somehow they always convey my exact feelings. Always.
Plus Nicki and Cardi are New Yorkers, they’re never going to get it together together. We hold grudges til the end, unless amends are made properly (read New Yorkers Who Will Curse You Out). Being a punk, being fake, disrespect, those are the laws we abide by here. That’s why I told that nigga Mick Jagger, “I don’t want to check bitches tell em wear their Nike’s,” cause I’m finna beat his ass. Period. I also quoted her when discussing the evidence amassed incriminating him and his mediocre, racist, weird, psychopath family and that ugly bitch who murdered L’wren Scott. “Rule number one to be a boss ass bitch. Never let a clown nigga try to play you.” He’s going to JAIL, his family to hell after. Idgaf.
I also quote Cardi, Drake, and Lil Wayne. Which artist do you quote most often? Via: DrakeTheGoat86